One-third are never solved….Since 1960, over two hundred thousand.” And as ever, with one body unaccounted for, he leaves the door ajar to admit a sequel-one that, with luck, will team Lacy with the much more energetic Jeri to enact some justice of their own.Ī shiny bauble of mayhem sure to please Grisham’s many fans.Īfter winning back-to-back Pulitzer Prizes for his previous two books, Whitehead lets fly with a typically crafty change-up: a crime novel set in mid-20th-century Harlem. As with all his procedurals, Grisham injects professorial notes on crime and justice into the proceedings: “This country averages fifteen thousand murders a year. We don’t meet the killing judge until halfway through the book, and then he’s a model of clinical badness in a game of cat and mouse that ends in-well, a rather frothily grisly moment. Lacy is resistant at first, given that her normal brief is to investigate complaints about drunkenness or corruption, but she allows that “six murders would certainly liven up her caseload.” And then some. Judge Bannick has more money than God and more technological goodies than Lex Luthor, but though a psycho, he puts on a good public face. The murderer: a circuit judge sitting in Pensacola, biding his time until he can cross off the next victim on a deeply personal to-be-avenged list. Now the coldest of cold cases, his death is a link in an evidentiary chain that only Margie-her real name is Jeri Crosby-has managed to construct. Her father, a much-respected professor of constitutional law, had retired to South Carolina and was murdered by an unknown killer. The protagonist of The Whistler (2016), she’s a jaded investigator for Florida’s Board on Judicial Conduct, which, thanks to budget cuts, is dying on the vine, “a leaderless mess.” Lacy acts on complaints, and she receives a doozy from a well-put-together Black woman who introduces herself as Margie, though she admits that's an alias. That’s just what Lacy Stoltz is up against, though. Judges are supposed to dispense justice, not administer the death penalty on their own initiative. The showdown between Bourne and Miss Shirley is one for the ages.įreeman’s first Jason Bourne thriller is a treat for fans of the late Robert Ludlum.Ī vigorous thriller that gets out of the courtroom and into the swampier corners of the Redneck Riviera. She warns people, “at all times when we are together to call me Miss Shirley.” That’s in every sentence, with violations punishable by a bullet in the throat, even if she’s just treated a guy to the best sex ever. That is plausible, scary stuff, but for a real scare meet the superb villain Miss Shirley. They don’t realize that it’s controlling what they’re going to do. People think it’s cool because it predicts what they’re going to do before they know it themselves.
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The main threat to society is a software application called Prescix. What follows is plenty of well-plotted action of the bloodletting variety. Later, Bourne agrees to find a connection between that killing and a mysterious organization called Medusa.
Impossible to kill.” So Bourne agrees to meet secretly with a journalist in Quebec City who has written about the Vegas killings and is investigating the congresswoman’s murder.
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Good luck with that, because “Bourne was a ghost. Treadstone, his former organization, believes he’s out of control and wants him dead.
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Fans know that as Cain, he was a professional assassin before a gunshot wound stole all memory of his past. The suspect is an “ex-government operative gone rogue” code-named Cain. The congresswoman had been about to expose a large-scale data hacking scandal in big tech. More than a year later, a New York congresswoman is murdered, shot in the neck.
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Without apparent motive, a man with no known criminal history or mental illness opens fire on a Las Vegas crowd and slaughters 66 people. Novelist Freeman nails the Ludlum style in the latest Jason Bourne adventure.